mainly of online performances. They offered live and recorded streaming of concerts at the Hama-rikyu Gardens and hip-hop music performance, giving a great many people both in and outside of Japan chances to enjoy the festival.last day of the summer session to conclude the entire festival. This event, imparted with the host’s wishes to “connect with the people who have been separated from others and isolated by COVID-19,” started at midnight with an explanation about the purpose of the programme given in 15 different languages, followed by a variety of music and art performances.were affected by COVID-19, refugees from Iran who came to Japan in search of women’s rights, female workers who came to Tokyo during the Taisho and Showa period to earn a living, etc.—“Dawn of the Sky” brought together the different longings that people have, and continued into the dawn until 5:00 a.m. This became an event that proved that online programmes have the ability to connect people with each other, regardless of their social standing or race, and beyond time and space. Creative efforts were also made to give birth to new and experimental methods of expression in order to overcome the constraints of having to perform without audience.(short for “underground”) that was born in the 1960s, staged in real underground spaces in Tokyo. However, the festival had to be changed to a livestreaming format, with performances given without an audience.talks with the artists, along with the premieres of their performances. A distinctive atmosphere was created to successfully capture the attention of the viewers and draw them into the project’s worldview. The talks spanned varying interesting topics that served as an introduction to butoh dance, and featured the artists explaining their work, introducing their artistic activities, and sharing their passions on expressing through art. These creative efforts helped spread the allure of butoh dance to a much broader range of people than could have been reached before. a smartphone could be used to tour the Ginza and Shimbashi area and see the layer photographs of performers taken in 1961 over today’s landscape, and an online programme to create a miniature butoh hologram at home. These and other programmes gave people the opportunity to learn about the many different forms of butoh. The live streaming of “Dawn of the Sky” was broadcasted from the Tokyo Skytree® Observation Deck on the The theme of the concerts and talks were about the different people who live in Tokyo. Children and adults who The TOKYO REAL UNDERGROUND project aimed to give the audience a taste of butoh dance, an “angura” An unoccupied snack bar in Ueno was set up as the “BUTOH Snack Bar” and used as a base for streaming live The exhibition programme included the implementation of cutting-edge augmented reality (AR) technology, where Walking AR Experience “Dance Happening—Today”A new type of walking tour using AR, in which participants could find points indicated on a map of Ginza and Shimbashi on their smartphone to view more than 350 photos of butoh that had been photographed in the same location. 無観客を余儀なくされるという制約を、クリエイティブな発想で克服し、実験的で新しい表現手法を生み出す試みも実施されました。 「TOKYO REAL UNDERGROUND」は、1960年代に生まれ「アングラ」と呼ばれた舞踏を、東京のリアルなアンダーグラウンド＝地下空間で体験するというプロジェクトでしたが、公演プログラムについては、無観客公演を配信する方針に転換。 上野の空きスナックを「BUTOHスナック」と見立てて配信拠点とし、パフォーマンスのプレミア上映やアーティストトークの配信を行うなど、独特の世界観を作り上げ、観客を惹きこむことに成功。アーティストトークは、出演アーティスト自らが作品解説や自身の活動の紹介を行ったり、表現することへの思いを語るなど、舞踏の入門編にもなるような興味深いコンテンツとなりました。このような工夫の結果、これまでにない幅広い層にも舞踏の魅力を届けることができました。 展示プログラムでは、先端のAR技術を駆使し、銀座・新橋を巡り、1961年にアーティストを撮影した場所で当時の写真を現在の風景と重ねてスマートフォンで鑑賞するという試みや、自宅で舞踏のミニチュアホログラムを作って楽しむというオンライン企画等も実施し、様々な形で舞踏を知っていただく機会を提供しました。街歩き型AR「ダンス・ハプニング・トゥデイ」銀座・新橋街頭で、地図に示された場所へ赴き、スマートフォンをかざすと、そこで撮影された350点超の舞踏の写真を見ることができる、新感覚の街歩き型AR作品。133│創造Creation
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