From NODA Hideki’s profile.the TMG to leverage its bid to host the Olympic and Paralympic Games to significantly strengthen its cultural policies and cultural programmes to realise the best cultural programme in history and make Tokyo a cultural city unlike any other in the world as a legacy of the Olympic and Paralympic games Tokyo 2020.Furthermore, in April, TMG decided to integrate the Culture Creation Project Office and Arts Council Tokyo and reorganised their operations in order to strengthen their structure and functions as an organisation that would play a central role in Tokyo’s arts and culture policies.The leading projects TURN and Tokyo Caravan, which now steer the cultural programmes of the TMG, were also launched in 2015.TURN was the brainchild of HIBINO Katsuhiko, a member of Tokyo Council for the Arts and professor at Tokyo University of the Arts. With a focus on the future of society, the project began with the aim of creating a new cultural experience that would reach people from all walks of life as an art project centred on exchanges involving people with different backgrounds and customs and creating encounters between various individuals.Tokyo Caravan was devised by NODA Hideki, a playwright, director, actor2, member of Tokyo Council for the Arts and artistic director of the Tokyo Metropolitan Theatre, with the aim of providing audiences with a sample of the diverse artistic scenes on offer in Tokyo and the rest of Japan. In October 2015, a preview performance was held at Komazawa Olympic Park.In 2016, the Tokyo Cultural Programme Grant (later known as the Tokyo Tokyo FESTIVAL Grant Programme) was established.The purpose of this grant was to build momentum for the Tokyo 2020 Games, create opportunities for more Tokyo residents to enjoy cultural programmes and increase opportunities for Tokyo residents themselves to participate. By the end of the Tokyo 2020 Games, more than 250 projects had been selected for a wide range of activities, including large-scale private-sector cultural projects, future-proposal projects utilising cutting-edge technology, and support for community-based creative cultural activities targeting the daily cultural activities of Tokyo residents. In August 2016, the leading projects TURN and Tokyo Caravan as well as the traditional performing arts performances TOHOKU & TOKYO in RIO were held in Rio de Janeiro during the Olympic and Paralympic Games Rio In March 2015, the TMG formulated the Tokyo Vision for Arts and Culture and established the Tokyo Metropolitan Arts and Culture Promotion Fund (10 billion yen). The Tokyo Cultural Vision, which expresses the hope to pioneer the cultural future of Tokyo, presented a strategy for 2016. In September, the Tokyo Festival 2016 was held, encompassing the Festival/ Tokyo and Asian Performing Arts Farm projects.With the closing of the Rio 2016 Games, the cultural programmes for the Tokyo 2020 Games finally got underway, and the Opening Nihombashi - Tokyo 2020 Cultural Olympiad Kickoff event was held in October in collaboration with the Tokyo Organising Committee of the Olympic and Paralympic Games (hereinafter referred to as the “TOCOG”). In November, the Legendary Tamatebako - Tama Traditional Culture Festival was held for the first time to showcase the appeal of the traditional culture and performing arts of the Tama region. Since then, the festival has been held every year, except for when it had to be cancelled due to COVID-19.In November 2017, the TMG announced the Tokyo Tokyo FESTIVAL cultural programme and icons 2020 Games. In addition, the organisers also announced the Tokyo Tokyo FESTIVAL Open Call for Proposals to create projects that would form the core of the Tokyo Tokyo FESTIVAL. The open call was a groundbreaking attempt to solicit ideas for cultural programmes from the private sector and others. Some 2,436 applications were received from within Japan and abroad during the one-month application period in February 2018, and 13 project proposals were selected in August of the same year by a screening committee consisting of 12 external experts. In selecting the winners, the following three perspectives were emphasised: (1) Challenge the “Mirai” (innovation and originality, new challenges for 2020 and beyond), (2) No Borders (participation and exchange among people from all segments of society in Japan and beyond, including the disabled, the elderly, children and people from other countries), and (3) Old meets New (originality and diversity, including coexistence of tradition and modernity).In November, the first promotional event for the Tokyo Tokyo FESTIVAL, “Taking Tokyo’s Arts and Culture to the World,” was held at the Edo Stage of Haneda Airport’s International Passenger Terminal to introduce the appeal of Tokyo’s art and culture and the future development of the Tokyo Tokyo FESTIVAL.Following this, additional promotional events were held to promote the appeal of the Tokyo Tokyo FESTIVAL to various demographics, including the second promotional event, “Connecting through Culture, Connect with the Future,” the third promotional event, “No Borders “ART x SPORTS”: Fusion of Art and Sports,” and the fourth promotional event, “The Beauty of Japan: The Heart of Tokyo - Quest for Japanese Culture.”for the Tokyo 156 From host city nomination to the endof Rio de Janeiro 2016 Games2Deciding on the Tokyo Tokyo FESTIVAL name and open call for proposals3.4.
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